Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels (Film and Television Studies) Erwin Feyersinger - kelloggchurch.org

Metalepsis in AnimationParadoxical Transgressions of.

Jun 01, 2015 ·: Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels Film and Television Studies 9783825364724: Feyersinger, Erwin: Books. Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels. [Erwin Feyersinger] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for.Film and Television Studies.\/span>\n \u00A0\u00A0\u00A0\n schema. The narratological term metalepsis describes a seemingly paradoxical transgression of narrative or ontological levels that are perceived as mutually exclusive. While metalepsis can be found across a variety of media, it is a specifically important device in animated films and television series. by Erwin Feyersinger The narratological term metalepsis describes a seemingly paradoxical transgression of narrative or ontological levels that are perceived as mutually exclusive. While metalepses can be found across a variety of media, it is a specifically important device in animated films and television series.

Dec 20, 2010 · A metalepsis is a fictional and paradoxical transgression of the border between mutually exclusive worlds that cannot be transgressed in our actual world. The hand of the animator reaching into the diegesis of his creations as well as characters communicating with the audience, escaping to the world of their creators, or altering their own worlds are all different types of metaleptic transgressions. Feyersinger, Metalepsis in Animation, 2017, Buch, 978-3-8253-6472-4. Bücher schnell und portofrei.

Transgressive by its paradoxical nature, metalepsis owes its power to its degree of literalness, and on this basis she proposes, in place of the rhetorical/ontological divide, three "degrees" of metalepsis: a passage from one level of embedding to another through an act of enunciation or its equivalent in other media; b non-fictional. Top Z-Librarians. Blog. MainMetalepsis in Popular Culture Narratologia Metalepsis in Popular Culture Narratologia Karin Kukkonen, Sonja Klimek editors Metalepsis refers to the crossing of boundaries between fiction and reality in narratives. This volume provides a systematic overview of metalepsis, its types and effects, in popular culture.

Marie-Laure Ryan, for example, discriminates between ontological and rhetorical metalepsis: ontological metalepsis “opens a passage between levels that result in their interpenetration, or. Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels. Heidelberg: Winter. Heidelberg: Winter. Feyersinger, E. Sensory Representation, Perceptual Spaces, and Perturbatory Distribution of Information in Shane Carruth’s Upstream Color. Längst boomt die Animationsfilmforschung in der angelsächsischen wie französischen Film- und Medienwissenschaft; auch in der deutschsprachigen Forschungslandschaft führt sie kein exotisches Nischendasein mehr. 1 Erwin Feyersingers neu erschienene Dissertation Metalepsis in Animation. Paradoxical Transgressions of Ontological Levels ist.

Paradoxical Transgressions of Ontological Levels Erwin Feyersinger Price: 28,00 € ISBN: 978-3-8253-7567-6 Product: Ebook Edition: PDF Series: Film and Television Studies, Volume No. 1 Available: 20.10.2017 Keywords: Animationsfilm, 21. Erwin Feyersinger studierte allgemeine und angewandte Sprachwissenschaft und medienwissenschaftliche Fächer an der Universität Innsbruck. Er promovierte mit der Dissertation Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, die mit dem Award of Excellence des Bundesministeriums für Wissenschaft und Forschung und dem Roland Faelske-Preis. Socio-anthropological and semitic studies of multicultural American society and life;. Feyersinger, Erwin. Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, 2010. Klarer Jäger, Markus. Popular Is Not Enough: The Political Voice of Joan Baez, 2009. Our informal research project on metalepsis in popular culture soon began to take shape as Jean-Marc Limoges directed the e-mail exchanges on the list and as our discussions yielded the fundamental terminology which underlies the present volume. 1 For the case studie s, the participants in our discussion proposed articles on metalepsis in comics, fantasy fic- tion, television, animation film.

Metalepsis in Animation - American Studies.

For the completion of his doctoral dissertation, entitled Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, Professor Feyersinger received a fellowship from the Vice Rector for Research of the University of Innsbruck in 2009. For his dissertation, Professor Feyersinger was awarded the Award of Excellence 2010 from the Austrian Federal Ministry of Science and Research and the Roland-Faelske-Preis 2010 from the University of Hamburg and the Roland Faelske Foundation. Metalepsis in Animation Paradoxical Transgressions of Ontological Levels Film and Television Studies by Erwin Feyersinger Hardcover, 160 Pages, Published 2015 by Universitätsverlag Winter ISBN-13: 978-3-8253-6472-4, ISBN: 3-8253-6472-0. Belépni a mozivászonba vagy kilépni onnan nagyon fájdalmas lehet mintha savat öntenének az arcba vagy villanyárammal izgatnának szexuálisan. William S. Burroughs: The Wild Boys: A Book of the Dead Az alkotó és teremtménye a Fantazmagóriában 1908. Émile Cohl Fantazmagória Fantasmagorie, 1908 című filmjének elején egy fotografált kéz gyorsan fehér bohócot rajzol a. Metalepsis in animation: Paradoxical transgressions of ontological levels. Heidelberg: Winter. Google Scholar. Feyersinger, Erwin. 2017b. Visuelle Abstraktion in narrativen Filmen und Serien, wissenschaftlichen Visualisierungen und experimenteller Animation. Journal of Popular Film and Television 361: 2–8. CrossRef Google Scholar. Film and Media Studies publishes papers in English in various fields of Film and Media. overtly playful transgressions that are ‘ontological metalepses’ 2006, 247. Metalepsis and.

Feyersinger, Erwin. 2011. 'Metaleptic TV Crossovers.'. New Review of Film and Television Studies Pfister, Manfred. 1991. A metalepsis is a fictional and paradoxical transgression of the. The concepts of the brain in a vat and possible worlds have already been examined separately in film studies, but the combination of the two has received less consideration. Erwin Feyersinger. Overview: "Critical Reflections on Audience and Narrativity" offers an interdisciplinary and multicultural approach to fiction, reality, and narrativity applied to television series from all over the world. Erwin Feyersinger: Metalepsis in Animation Rezensiert von Felix Hasebrink Publikationen, die sich selbst dem Feld der Animation Studies zurechnen, begannen noch vor einigen Jahren häufig mit der Klage, dass die traditionelle Filmwissenschaft den Animationsfilm bislang systematisch ignoriert habe vgl. bspw. Cholodenko 2007: 24.

Metalepsis revised version; uploaded 13 July 2016 the.

Über das BuchErwin Feyersinger: Metalepsis in Animation.Paradoxical Transgressions of Ontological Levels. Reihe: Film and Television Studies, Bd. 1. Heidelberg [Universitätsverlag Winter] 2017, 163 Seiten, 28,- Euro. For the completion of his doctoral dissertation, entitled Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, Professor Feyersinger received a fellowship from the Vice Rector for Research of the University of Innsbruck in 2009. For his dissertation, Professor. Feyersinger, Erwin. Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, 2010. Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels, 2010. Klarer.

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