Money and Gender in the American Novel, 1850-2000 (American Studies: Monographs) Eva Boesenberg - kelloggchurch.org

Money and Gender in the American Novel, 1850-2000 von Eva.

Jan 05, 2010 · Money and Gender in the American Novel, 1850-2000 American Studies: Monographs Hardcover – January 5, 2010 by Eva Boesenberg Author. Get this from a library! Money and gender in the American Novel, 1850-2000. [Eva Boesenberg]. Yet, economics are a key aspect of gender constructions; conversely, the language of money is thoroughly gendered. This study traces the representation of these interrelations in U.S.-American literature between 1850 and 2000. After historicizing the topic, it analyzes 35 novels with a focus on sexuo-economic relations that are more flexible and less hierarchical than hegemonic constructions. Eva Boesenberg: Money and Gender in the American Novel, 1850–2000. Heidelberg: Universitätsverlag Winter 2010. Eva Boesenberg deals with the correlation of economy and gender discourse in the American novel. At the center of the discussion is the question whether and to what degree the ‘language of money’ is gender-specifically coded.

Perhaps because money is frequently considered gender-neutral, studies of the nexus between financial resources, masculinities, and femininities in fiction have been rare. Yet, economics are a key aspect of gender constructions; conversely, the language of money is thoroughly gendered. This study traces the representation of these interrelations in U.S.-American literature between 1850 and 2000. May 27, 2016 · Eva Boesenberg is the author of Money and Gender in the American Novel, 1850–2000 2010 and Gender – Voice – Vernacular: The Formation of Female Subjectivity in Zora Neale Hurston, Toni Morrison, and Alice Walker 1999, and co-editor of American Economies 2012, with Martin Klepper and Reinhard Isensee. She teaches North American literature and culture at Humboldt. Jun 19, 2012 · Her latest book Money and Gender in the American Novel, 1850-2000 was published by the Universitätsverlag Winter in April 2010. Boesenberg, Eva. Money and Gender in the American Novel, 1850-2000. Heidelberg: Universitatsverlag Winter, 2010. 387-97. Brazil, Kevin. “Canvas in the Cold War: William Gaddis and the Context of Art.” In his Art, History, and Postwar Fiction. NY: Oxford University Press, 2019. 63-96. Broyard, Anatole. "Remembering William Gaddis in the. Money and Gender in U.S. American Novels since the 1980s," Almighty Dollar, ed. Heinz Tschachler, Eugen Banauch und Simone Puff. Wien: Lit Verlag, 2010. 159-80. "Reconstructing 'America': The Development of African American Studies in Germany", Germans and African Americans: Two Centuries of Exchange, ed. Larry A. Greene and Anke Ortlepp.

Approaches to American Cultural Studies - 1st Edition.

Boesenberg, Eva. Money and Gender in the American Novel, 1850-2000 Heidelberg: Universitätsverlag Winter, 2010. In: Querelles-net: Rezensionszeitschrift für Frauen- und Geschlechterforschung 12.1 2011. Trauma’s Continuum: September 11th Reconsidered, Special Issue of Amerikastudien/American Studies 55.3 2010. Published 2011. with Andrew S. Gross The Pathos of Authenticity: American Passions of the Real. Heidelberg: Universitätsverlag Winter, 2010. with Ulla Haselstein and Andrew S. Gross Articles "From Paris with Love? The Paris Review.". American Studies/Shifting Gears. A Publication of the DFG Research Network "The Futures of European American Studies". 2010. Band 184 Boesenberg, Eva. Money and Gender in the American Novel, 1850–2000. 2010. Band 183 Rohr, Susanne und Andrew S. Gross. Comedy – Avant-Garde – Scandal. 2010. Band 182.

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