Shifting Gravity Hou Hanru - kelloggchurch.org

Shifting Gravity Cultural History Hatje Cantz.

Nov 30, 2013 · Shifting Gravity [Ute Meta Bauer, Hou Hanru] on. FREE shipping on qualifying offers. The rapidly expanding activities in contemporary art and the rising number of biennials established in Asia during the last two decades have had significant implications for the construction of contemporary art history. Shifting Gravity. Ed. Ute Meta Bauer, Hou Hanru, Gwangju Biennale Foundation, graphic design by Solar Initiative, Amsterdam, contributions by Tarek Abou El Fetouh, Hoor Al Quasimi, Shahidul Alam, Elke aus dem Moore, Ute Meta Bauer, Jee-Sook Beck, Raphael Chikukwa, Joseph Grima, Hou Hanru, Evelyne Jouanno, Lian Ladia, Hans-Ulrich Obrist, Marc Schmitz, Alia Swastika, Wato Tsereteli,. Shifting Gravity is composed of three main essays on the theme of biennials and thirty-nine essays on different biennials held around the globe. Ute Meta Bauer and Hou Hanru, the directors of the forum, took on the role of editors for the publication of the book. Oct 31, 2012 · World Biennial Forum No 1: Shifting Gravity Gwangju, Republic of Korea 27 - 31 October 2012 In the frame of the 9th Gwangju Biennale. Organized by: Gwangju Biennale Foundation Biennial Foundation ifa - Institut für Auslandsbeziehungen. Co-Directors: Ute Meta Bauer & Hou Hanru.

Shifting Gravity Edited by Ute Meta Bauer, Hou Hanru, Gwangju Biennale Foundation Essays by Tarek Abou El Fetouh, Hoor Al Quasimi, Shahidul Alam, Ute Meta Bauer, Jee-Sook Beck, Raphael Chikukwa, Joseph Grima, Hou Hanru, Evelyne Jouanno, Lian Ladia, Hans-Ulrich Obrist, Marc Schmitz, Alia Swastika, Wato Tsereteli, Jonathan Watkins, Zheng Yan, Ursula Zeller, Elke aus dem Moore. Hou Hanru Hou Hanru begins his talk by shifting the conversation away from the idea of the labyrinth and instead initially refocuses it on the idea of movement. Jean Tinguely once paradoxically described movement as static, because “it is the only immutable thing—the only certainty, the only unchangeable.”. Hou Hanru joined the Guggenheim in 2015. A prolific writer and curator based in Rome, Paris, and San Francisco, Hou is the artistic director of MAXXI, National Museum of the 21st Century Arts, Rome.

MAXXI’s director Hou Hanru seems to be a natural-born explorer. Bringing an outsider eye and insider knowledge from living in Europe for almost 30 years, he is managing the museum with intelligence, curiosity and a lot of humanity. From 2012–2013 she was Dean of Fine Art at the Royal College of Art, London. Her most recent publications are World Biennale Forum No 1 – Shifting Gravity co-edited with Hou Hanru and AR – Artistic Research co-edited with Thomas D. Trummer. 2013 World Biennale Forum No 1 – Shifting Gravity co-edited with Hou Hanru, Hatje Cantz 2013 Magne Furuholmen: In Transit co-authored with Selene Wendt, Forlaget Press 2014 AR – Artistic Research co-edited with Thomas D. Trummer, Walther König, Köln 2018 Place.Labour.Capital. Shifting Gravity is composed of three main essays on the theme of biennials and thirty-nine?essays on different biennials held around the globe. Ute Meta Bauer and Hou Hanru, the? directors of the forum, took on the role of editors for the publication of the book. Chobi Mela is one of the biennales featured. For RSVP please contact. The Power of Doubt2011 was the name of an exhibition, but it is also a metaphor for the process by which self-critique moves between radical indignation and creative imagination. Art and life are not the same things, but there is always a process of learning and change that keeps the two together and apart.

Shifting gravity. The crisis and opportunity of biennials / Yongwoo Lee --Bringing the biennial community together / Marieke van Hal --The inaugural World Biennial Forum / Elke aus dem Moore --Shifting gravity / Ute Meta Bauer and Hou Hanru --Keynotes. May 15, 2013 · Edited by Ute Meta Bauer and Hou Hanru, co-directors of the World Biennial Forum Nº 1—Shifting Gravity, this publication collects the presentations and discussions developed during the forum. Cover Image: Choi Jeong Hwa, Welcome! 2013.Installation at the Kimdaejung Convention Center,designed for World Biennial Forum Nº 1. Hou Hanru. Photo: Musacchio Ianniello. Courtesy Fondazione MAXXI, Rome. Having steered Rome’s MAXXI out of its rocky first few years, artistic director Hou is still listed on the institution’s website as ‘based in Paris and San Francisco’. But what distinguishes this perpetual internationalist from other globetrotting curators is not.

biennials and education.

Her recent publications include World Biennale Forum No 1 – Shifting Gravity co-edited with Hou Hanru and AR – Artistic Research co-edited with Thomas D. Trummer, both 2013. For NTU CCA Singapore, she curated with Anca Rujoiu Paradise Lost 2013, Theatrical Fields 2013/14, Simryn Gill: Hugging the Shore 2015; and with Khim Ong. Hou Hanru: Super Reality The San Francisco-Based Curator Selects Five Leading Chinese Artists and Galleries Shot by photographer Jake Stengel against the backdrop of San Francisco’s famous Chinatown, Hou Hanru discusses the artists and themes guiding China’s contemporary art boom. She has edited numerous publications, most recently, World Biennale Forum No 1 – Shifting Gravity with Hou Hanru and co-edited AR – Artistic Research with Thomas D. Trummer. In 2015, she will co-curate with Paul C. Ha, Director of the MIT List Visual Arts Center, the US Pavilion at the 56th Venice Biennale presenting Joan Jonas.

Bauer, Uta Meta & Hanru, Hou eds. Shifting Gravity: World Biennial Forum No 1 Ostfildern: Hatje Cantz, 2013. Belting, Hans. ‘Contemporary Art as Global Art: A Critical Estimate’, in The Global Art World: Audiences, Markets, and Museums, eds Hans Belting & Andrea Buddensieg Ostfildern: Hatje Cantz, 2009, 38–73. Free 2-day shipping on qualified orders over $35. Buy Shifting Gravity Paperback at. Bauer has edited numerous publications in the field of contemporary art, most recently Intellectual Birdhouse, Artistic Practice as Research co-edited with Florian Dombois, Michael Schwab and Claudia Mareis, 2012, World Biennale Forum No 1 – Shifting Gravity co-edited with Hou Hanru and AR – Artistic Research co-edited with Thomas D. 'Shen Yuan's articulation of the performative in her work is the best metaphor for the new identity of contemporary women engaged in the process of cultural negotiation. This gesture clearly refuses any pedagogical fixing of identity; instead it is involved in an ongoing process of reconstruction, receptive and adaptable to a changing reality.'.

Case-study 5 concentrated on 3 important Biennales in a country that could today be referred to as a centre of this Shifting Gravity. With the Gwangju Biennale as Asia’s first international biennale and Media city Seoul and the Anyang Public Art Project established; this case-study was a reflection of concerns that have matured over a period. Michael Lin by Nicolas Bourriaud, Hou Hanru, Bruce Grenville and a great selection of related books, art and collectibles available now at. In the following interview, curator and critic Hou Hanru shared with Xiaoyu Weng, Director of ACAC-SF and Marie Martraire, Program Assistant of ACAW-SF some of his curatorial projects as well as his thoughts on these concepts and the San Francisco art scene. Chinese, Japanese, Korean, Vietnamese, Filipino, etc. have influenced this shift. Oct 14, 2014 · Hou Hanru in Conversation, April 2013 On the eve of the 5th Auckland Triennial, Natalie King conducted a candid, public conversation with acclaimed biennial curator, Hou Hanru at Asialink.

Oct 19, 2012 · Shifting Gravity 27–31 October 2012 Gwangju, South Korea. Organized by: Gwangju Biennale Foundation Biennial Foundation i.f.a. Institut für Auslandsbeziehungen Co-directed by: Ute Meta Bauer & Hou Hanru Initiated by: Biennial Foundation. Oct 25, 2012 ·writer and correspondent Veeranganakumari Solanki shares her thoughts and impressions on the World Biennial Forum No. 1, which took place in Gwangju, South Korea. Day 1: 27 th October 2012 9 th Gwangju Biennale: Roundtable Opening Ceremony of World Biennale Forum, No. 1 Gwangju, the Biennale city – Having arrived here a day before the first World Biennial Forum. Nov 29, 2016 · It is in and around the shifting skylines of the contemporary Asian megalopolis that the battles over the significance of the legacy of modernism and modernization are today taking place. Curated by Hans Ulrich Obrist and Hou Hanru, “Cities on the Move” exuded the cacophony of the Asian hyper-architecture that it took as its model. The study focuses on how these different actors in various countries give shape and support to cultural life with a discussion of the financing of these international biennials. The findings and results of the report are also published in the book “Shifting Gravity” edited by Ute Meta Bauer and Hou Hanru and published by the Biennial.

These introductory texts are complemented by thematic essays by Tarek Elhaik and Dominic Willsdon, Hou Hanru, and Pamela M. Lee that further contextualize cultural production in the featured cities by addressing such issues as the construction of contested histories, center-periphery dynamics, and the effects of economic and cultural. 'Beyond: 2nd Guangzhou Triennial', curated by Hou Hanru, Hans Ulrich-Obrist and Guo Xiaoyan, was opened at the Guangdong Museum of Art. In conjunction with this exhibition, a one-day symposium entitled 'Trading Places: Cultural Imaginaries of the Pearl River Delta' was held in Hong Kong on 21 November at the Hong Kong Arts Centre, organized by the Art School of the Hong Kong Arts Centre. In Hou Hanru´s Hong Kong, etc., he will be setting up an entire video network in different locations in the city, on which the different artists are going to be shown. There will be works far from the center site of the biennale, which set up a relationship between supossedly non-artistic sites and the traditional institutions. As reviewed by ArtAsiaPacific, “Canton Express” was the second iteration of a landmark project “Zone of Urgency Z.O.U” first curated by Hou Hanru at the 50th Venice Biennale in 2003. The seminal works that were exhibited in Venice looked back at the explosive urbanization and expansion of the Asia-Pacific region, and was restaged to. Wherever we go, San Francisco Institute of Art, San Francisco and Spazio Oberdan, Milan, curated by Hou Hanru and Gabi Scardi Open Studio, IASPIS, Stockholm, curated by Elin Strand and Magnus of Petersen. 2006 La force de l’art: laboratoire pour un avenir certain, Grand Palais, Paris, curated by Hou Hanru.

Paul C. Ha Commissioner and Curator Ha is the Director of the MIT List Visual Arts Center, and has more than 25 years of professional experience in art and museum administration, fundraising, curating, and teaching. Since joining the List in 2011, Ha has founded the exhibition program List Projects, which commissions emerging artists to create. Hakim Bey's Temporary Autonomous Zone shifts constantly between the existing center and the periphery creating a kind of 'emptiness' that subverts the established order.--Hou Hanru, "Initiatives, Alternatives: Notes in a Temporary and Raw State" As part of the "zone" of the Temporary Autonomous Sarai of Raqs Media Collective and Atelier Bow-Wow. Two images from Hou Hanru’s Melbourne lecture last month stayed with me. Hou is the curator of this year’s 5th Auckland Triennial, If you were to live hereThe first was an early black & white image from his student days in Beijing through the 1980s. The image he projected showed students standing on []. Hou Hanru is a prolific and dynamic critic and curator based in Paris and San Francisco. He is Director of Exhibitions and Public Programs and also chair of Exhibition and Museum Studies at the San Francisco Art Institute. Field Notes; Gestures of Love, or L'insurrection qui vient? by Hou Hanru. \/ Hou Hanru.\/span>\"@ en\/a>; \u00A0\u00A0\u00A0\n schema:description\/a> \" \"The art world is no longer defined by the activity of traditional art centers such as New York, Berlin, Beijing, or London, but is instead shaped by many cities, small and large. These new artistic communities, each reflecting the history, culture, and conditions.

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